Linn Factory Customer Event - Series 5 and More Exaktitude

Having launched the new “lifestyle” series 5 range of speakers in a suitably “lifestyle” location – The Violin Factory in London - a couple of weeks ago, Linn kindly arranged a factory event for their more traditional customers.  How far do people travel for such an event?  Well I think Vancouver was the furthest that I know of, so clearly there’s something worth going to Glasgow to see and hear.

The launch of series 5 has, predictably, caused some debate on the Linn forum about the company’s focus and direction.  Gilad Tiefenbrun’s presentation(he’s the Linn MD) at the event made it very clear that series 5 is supplementary to their traditional product range, not a replacement – hence the naming doesn’t sit in the traditional hierarchy.  Within the more traditional range, it’s also become very clear that the company has bet the future on more and more integrated solutions – starting with DS/Pre-amp and Exakt built into power amps and fully integrated Exakt / amp / speaker offerings.  There was no mention of more traditional analogue active either – something that quietly disappeared from integrated speakers (such as Akubarik and 350A) with the most recent product launches, but still an option inside Majik and Akurate power amps.

After a successful night-before-get-together of forum members back at the 40^th Anniversary event in 2013, we again gathered at the Counting House to discuss the latest products, speculate on the next day’s activities and generally not take things too seriously.  The forum has been awash with lifestyle product speculation of late, and here, the truth was revealed with the latest in Linn accessories – the Tea Kloth, exclusive for Forum GTG members. I don’t think we’ll be seeing a full production run…

INTRODUCTIONS

So what of the event itself?  Well, this was extremely well organised, clearly thought through, and focussed more on the non-lifestyle products, concentrating on the latest thinking with Exakt and the new Exaktboxes in the Akurate and Majik ranges.  Linn laid on a coach from Glasgow city centre out to the factory at Waterfoot.  I guess a total of about 80 to 90 customers attended the event.  The local dealer was present, but this was very much a customer event.  We kicked off with a buffet lunch at the back of the ballroom, then gathered for the initial presentations.  Gilad welcomed us all and talked about the new products and how they’re focussed on bringing people into considering a quality music system for their home, in circumstances where large and more functional looking equipment is not thought to be acceptable in the home.  He spoke about how buyers are now buying as couples with joint input and how Linn wanted to give them a simple solution that worked with multiple different interior décor situations.  More on the technicalities behind the series 5 speakers below.  He referred to the ever evolving capabilities of Exakt and how it has been an enabler for series 5, for more domestically acceptable speaker positions and every increasing performance in the Linn range.  In addition to Majik Exaktbox-I, the new Akurate Exaktbox 6 and Exaktbox Sub, Linn are bringing phase aligned benefits to owners of Linn speakers over 20 years old, thereby upgrading legacy kit, something other manufacturers don’t offer.

Ballroom and 5x Series 5

Next to present was Keith Robertson – Linn’s chief technical lead.  He talked through the virtues of Exakt and the new products, and how the development of Exakt algorithms continues apace, with a new software release later this year that will improve the handling of bass roll-off.  Also, the achievement of the engineering team to get 8 channels of 100W power amps, an Exakt engine and 8 channels of Majik level DACs into a single integrated Exaktbox-i.  I’ll cover these in the individual demo comments below.  Worth noting that all Linn speakers are measured for Exakt, and have been so for the last 2 years – Majik right up to Klimax level, in anticipation of owners choosing something Exakt either at purchase or in the future.  So for under 2 year old speaker, there’s Exakt data stored in Linn’s systems, ready to apply Exakt algorithms specifically tailored for that speaker’s serial number.  For pre-Exakt speakers, a “generic” set of measures are used for the speaker model in question, and this is expected to be within a less than 5% tolerance – typically around 2 to 3%.

DEMOS

After the intros, we were split into 6 groups and then hosted around the various locations around the factory – this was extremely well organised, timed to fit into the available slots and offered a good variety of well thought through demos, a coffee break slotted in part way through the afternoon:

-          Factory Tour

-          Series 5

-          Akurate / Klimax Exaktbox & Analogue Active Comparison (and latest thinking on Keltik Exakt configurations)

-          Exaktbox Sub

-          Majik Exaktbox-I vs Majik Passive

DEMOS – Akurate / Klimax Exaktbox & Analogue Active Comparison (and a bonus for Keltik owners)

In the back right hand demo room of Linn Home (a domestic-like environment in a segregated corner of the factory) we had a 40^th Anniversary LP12, Klimax DSM and, a bit of a surprise this one, a pair of Linn Keltik speakers.  Why was this a surprise? Well the Keltik used to be at the top of the Linn range, but hasn’t been in production for at least 10 years, if not longer.  So why are Linn using a legacy product when inviting customers to a product launch event?  Well it’s quite straightforward – they’re showing that they’re committed to looking after as many of their customers as possible, by making sure that initial investments can continue to be developed and new technologies brought to bear.

Here the demo went through several steps –first using 3x Klimax Twins to drive the Keltiks with original, analogue Klimax crossovers, using the analogue outputs from the KEDSM.  Sounds good – using a 24 bit version of the theme tune to the Money Programme.  We then get an Akurate Exaktbox version, still using 3x Twins but now the Exakt outputs from the KDSM.  There’s a step change in focus and timing – it’s pretty convincing.  We then step up to the Klimax Exaktbox which features a higher quality set of DACs and there’s another decent change in performance.

Many of you will know that the Keltik uses an isobaric bass system – that is 2 bass drivers, one behind the other, with the chamber between being sealed.  This gives deeper bass from the speaker without needing massive drivers on a very wide front baffle.  The air chamber between the drivers is sealed so that they act as one.  According to speaker designer Phil Budd, this is what is known within engineering as “an approximation”.  Reality is that a sound wave passes through the air in the chamber, hitting the back of the front driver slightly after the front driver has started moving.  Exakt now allows for this to be modelled and compensated for.  So the next demo added a further Klimax Twin power amp so that the bass drivers could be driven independently, each from their own Exakt DAC channel - which involved adding another Klimax Exaktbox as this is a 6 channel device.  It was a surprise (to me at least) that it added so much more clarity to the rhythm of the track.  It transpired, in the bar in the evening, that the idea for driving the isobaric drivers separately had been cooked up by acoustics engineer Phil the day before the event, calculated and implemented in the morning, then used for the demos in the afternoon.  This is an impressive demonstration of the abilities of Exakt, and the confidence of the Linn team that they’d found a better solution and successfully implemented it in front of customers.  They can sell more amps to customers with Keltiks too of course….  I expect this will be coming for original Isobariks, Akubariks and Majik Isobariks in due course.

DEMOS – Series 5

Moving next door to the other dem room, we were introduced to the series 5 loudspeakers.  Here they are being demonstrated along with an Akurate DSM – the way they are being marketed and priced, in fact. A little technical discussion first.  The 520 (20 litres internal volume) and 530 (30 litres internal volume) are completely new loudspeaker designs. They’re built using a laminated construction.  Seen on the production line in the factory, they have a very smooth black satin finish to them, under the covers.  They are not designed to be seen or played without a cover.  They use new to Linn drive units, manufactured elsewhere but to Linn specification.  The tweeter is new to Linn and costs approximately 3x the cost of a 2K array.  It’s in a very shallow waveguide mounted over a very wide iteration of the scoop that sits behind 2K and 3K arrays seen on other Linn speakers.  The mid-bass driver is around 5” and has a radially cut fibre cone where the cuts are then filled with a damping compound.  Both speakers have these drive units at the top of the cabinet, with the tweeter below the mid-bass – very Missionesque.  I know that Linn have been criticised in some quarters in the past for under-investing in the quality of drive units, so this seems to go some way towards addressing that.  The 530 adds a downward firing pair of 6” drivers in isobaric mode, exiting through the grille / slot at the base of the cabinet.

The cabinets have very much rounded corners – this seems to have been driven more by aesthetics rather than acoustics.  The top and base plates are glass and are available in black, white or mid-grey at the customer’s choice.  Also replaceable later if required (and Linn still stock them of course).  The covers feature a number of different fabrics from various designer brands, in addition to Linn’s own Fabrik which has been developed for the printed versions.  Customer defined prints may become an option at some time in the future.  The material is tailored to the speaker and features a glued in place frame that fits over the mid-bass and tweeter.  This allows Linn to stretch the fabric over this frame to a pre-determined degree, with the glue then holding it in place.  This is to allow for the acoustics engineers to then compensate for the effect of the fabric on sound quality – the process making the acoustic properties of the fabric predictable.  I do wonder about the acoustic effects of the cover’s rigid frame which is so close to the drive units.

Each of these speakers are driven by an integrated Exakt engine / DAC / power amp module that fits into the rear lower part of the cabinet, hidden under the cloth wrapper.  I asked about cooling – apparently the effect of the cloth on cooling has been allowed for.  I guess with Linn’s SMPS and cool running Chakra amps, it’s not a big challenge anyway.  Each driver in the speakers has an amp and DAC dedicated to it, rated at 100W.  The amp and DAC are “based on Majik” level products.  Not sure if the 530 has one or 2 amps per isobaric woofer, I didn’t ask, but I suspect just the one.

We started with the 520 – which is quite dinky – a bit smaller than a Keilidh.  They look OK – the VPL of the driver frame is very cloth dependent – sometimes it’s obvious (plain, lighter colour fabrics), sometimes pretty much invisible (heavily patterned, darker coloured fabrics).  I said on the forum that I didn’t like it at all in the photos, but it’s less offensive “in the cloth”.  As for sound, well I don’t think Linn have thrown the baby out with the bath water, but for £9k with the streamer, I would say that this was a bit underwhelming.  There is a caveat though – well, a couple really – I don’t like Linn’s dem rooms, they’re a bit dead sounding, and this is a big room for such dinky speakers to fill.  I did get the impression that I’d rather have a Naim SuperUniti and a pair of Focal 928s though.  It was all a bit lightweight which over-emphasised the top end too.

In came the 530, which is still a very slim and compact speaker.  But this is a much more serious sounding speaker.  No doubt set up with all the Exaktness sorted, room optimisation dialled-in etc. it performed very well.  The fuller bass really balanced that top end nicely.  And that bass is very well controlled, nicely articulated and not over-blown like the Majik Isobarik can be.  I think this speaker could stand comparison against my own analogue active Majik 140s, it would certainly be an interesting back-to-back to test out.  A bit more on this later though, because the Majik 140s featured later too.  Both 520 and 530 had been placed in what Linn considers the ideal position for these speakers in this dem room – which seemed to be pretty much identical for both of them – this makes some sense, as the 530’s additional bass output comes out from the base of the cabinet and as such probably doesn’t interact with the rear wall any more than the sides.

520

DEMOS – Exaktbox Sub

There’s a very large room in Linn Home – one that the largest Linn speakers, the 350s, can just about cope with if turned up a fair way.  So Linn chose to demonstrate their current top of the the range standmount in here, the Akudorik Exakt.  Are they mad?  Quite possibly, but not based on this demo.  Some music was played and the Akudorik did their thing – which is to sound detailed with decent drive and timing, but I can’t really envisage these at home, trying to bang out some electronic dance music.  No.

But that was the point.  The usual solution to this is to (other than buying decent floorstanders in the first place) add a subwoofer.  This was done at this point, but in such a way that demonstrated the effects of bass from a subwoofer arriving at the listening position, out of time or out of phase (or both), with the music.  And that effect was obvious.  The bass was fuller, but was a bit tuneless, lumpy over the frequency range and slightly out of time with the rest of the tune.  Exakt was then applied using the Exaktbox Sub (for which you have to measure the subwoofer’s position in the room) so that the subwoofer’s output arrived both time and phase aligned at the listening seat.  This was a vast improvement and joined the bass up to the rest of the tune.  But the little 226 sub really wasn’t enough for the massive room.  So a second sub, positioned underneath the very long dining table and a good 5 metres behind the listening position was added – time and phase aligned of course.  At this point the bass really did suit the room (perhaps a touch too loud for my tastes) but also very well integrated so that it sounded like this huge amount of bass was coming from the same place as the rest of the tune.  A very impressive demo.  I’m guessing, but just FYI, it looked like the Akudoriks had been placed in their “ideal” location in the room, rather than the less obtrusive position that is possible with Exakt SPACE+ optimisation.

FACTORY TOUR

I’ll not say much about this, as Linn’s factory, processes, methods etc., have been documented many times in many places.  Not much has changed in this respect – just the addition of the new cloth / frame stretching and bonding process, which we didn’t see.  The production line was dominated by series 5 speakers this time – presumably to build up the dealer network’s demo stocks.

DEMOS – Majik Exaktbox-i

In an unusual move, Linn set up one of the demos in their R&D inner sanctum – the development listening room.  This has some interesting room treatment – with what look like absorbent panels on most walls, but the main speaker positioning area surrounded by hard plastic shapes – supported out from the wall a couple of inches and angled seemingly and random angles – this treatment extending a couple of meters or so along the side walls and ceilings.  Perhaps something to do with first reflection control.

In here we had and Akurate level LP12 feeding a Majik DSM and a pair of Majik 140 speakers.  First up we listened to the turntable and the streamer using the internal stereo power amps of the Majik DSM.  It sounded OK, but not brilliant.  The new Majik Exaktbox-I was then added and it was a revelation.  A superb demo of the benefits of the Exakt technology – much punchier, timing more coherent, instruments and vocals defined clearly.  The M140s were sounding really great with this Exaktbox.  At this point, I was thinking the series 5 530 would really be struggling to keep up with this.  The system was then returned back to standard passive and the change back was equally clear to hear.  The difference between standard and Exakt was much more pronounced on the streamer content than it was with the LP12.  Perhaps the Majik level ADC was constraining the turntable’s output?

Worth noting here that there was an announcement around Majik DS and DSM product upgrades.  It’s going to be possible to get any Majik DS, DSM or DS-I upgraded to the latest specification, including the addition of Exakt links.  For those with non-HDMI equipped DS-I and DSM, the HDMI ports will also be added.  No news on prices or when, but I would be very surprised if this existed as a stand-alone upgrade, I suspect it is much more likely to be offered in conjunction with the purchase of a Majik Exaktbox-I, Akurate Exaktbox or an integrated Exakt loudspeaker.

The Exaktbox-i is quite an achievement - 8x100W amps, an Exakt engine and 8x DACs in that small space.  Plus, interestingly, a set of 8x phono analogue outputs on the back - allowing the Exakt / DAC outputs to be fed to external amplifiers - hence allowing for an amp upgrade path over time - perhaps a Twin for your tweeters then a couple of Solos later for your bass drivers?  A nice feature, but why that way around?  Surely the traditional "source first" hierarchy says that the Exaktbox DACs should be upgraded before the amplifiers?  The phono sockets on the back would seem to be better placed as inputs to the poweramps for those who would like to upgrade to an Akurate Exaktbox later.  Better still make them switchable between inputs and outputs.

Rear of Majik Exaktbox-i:  8 pairs of speaker posts, 2x Exakt links, power input.  Interestingly, also 8x phono analogue outputs to allow for an upgrade to external amps later

Q&A

Throughout the day we were encouraged to fill out question cards.  After all the demos were done we gathered back in the ballroom and Gilad hosted a Q&A session with the chief technical officer Keith Robertson.  What did we learn from this?  Well, the main difference between the Exaktboxes is all about performance not functionality – basically, the DACs are aligned to the DACs in the DS products – they get better as you go up the range.  There will be a surround solution for Exakt coming, but there are no definite dates for this.  Later, in the bar, much more was discussed on this subject – suffice to say, there are lots of options and no certainty on which way (or even which ways) to do this.  Expect much more from Exakt going forward – including a new way of dealing with low frequency roll-off later this year.  The coverage of all legacy Linn speakers is underway and will be delivered eventually.

Linn has worked with Kudos on the Titan T-808, Super 20A and Super 10A speakers by essentially giving Kudos access to the Exakt development tools.  Kudos are using these to build their own Exakt crossover parameters – Linn have not done any of this development work.  Exakt will also be coming very soon for PMC Twenty.26, a JBL model popular in Japan and further models to be announced soon.  An Exakt phono stage closer to or inside the turntable?  It’s possible, and could happen, but isn’t definitively on a timeline yet.

EVENING

So after being bussed back to central Glasgow, we briefly dispersed to various restaurants and hotels to eat and freshen up, but were soon re-assembled in the bar of 29.  Here there were drinks and lots of natter.  Phil Budd and Keith Robertson headed up much of the technical discussion, both being open and receptive with ideas flowing in both directions between Linn and customers.  The surround debate was particularly interesting.  A couple of hints of some small (but possibly helpful) new product news soon, and a bit about next year’s plans which will, in the main, focus in a different direction.  Good discussion about the Linn records label too – and how busy they are – all 6 of them!

THANKS

I must say, this was probably the best organised event I’ve been to at the factory – Linn seem to learn and improve each time.  In the past, I’ve also heard some demos that were obvious, some that were less so, but this time every demo delivered what was promised by the Linn staff.  Still don’t like the over-dull listening rooms though.

Thanks very much to all at Linn.  An excellent day – covering their strategy and their latest products, but clearly aimed squarely at their traditional customer base, rather than the series 5 launch events in London.  Appreciate the time and effort they put into these events, and their excellent hospitality.  Oh, and what great company from fellow forum contributors.

 

 

A Wee Timerous Beastie wrap on the 530.  I think they look better in the flesh than they do in pictures

Linn Forum Users - Which Speakers Do They Own?

I ran a month long poll on the Linn forum for users to vote for the Linn speakers they own.

Here are the top level results:

Overall Results for stereo speakers (subwoofers and centres excluded).  Total votes cast = 296

This might give a clue as to the return on investment (or not) that comes with designing a speaker as expensive as the Komri.

Overall by Count

Overall by Percent

And the Top 10:

Akurate 242 = 25
Keilidh = 25
Ninka = 23
Keltik = 22
Majik 109 = 21
Majik 140 = 18
Akurate 212 = 17
Katan = 14
Espek = 13
Majik Isobarik = 12

More detailed analysis can be seen on the forum posting:

http://forums.linn.co.uk/bb/showthread.php?tid=22033&pid=248642#pid248642

Actively Listening. Was it Majik?

Majik.  Not my favourite name in the Linn range.  Sounds a bit twee, childlike maybe.  Klimax sounds too much like an adult oriented konversation.  Akurate works well as a name.

Anyway, a rose is still a rose etc. ...

Recent discussions with TWKMS (those who know my system), including me, has led to the general conclusion that the 18 year old Linn Keilidhs are probably the bit that's holding it back.  I tend to agree - although their ability to reveal upgrades in the front end and amplification over those years has always astonished me.  I kept wondering when they'd run out of ability.  I'm sure if I added a Klimax DS and a Klimax Kontrol they'd go on improving.  But there's been a niggling doubt and much conversation about their ability to really be delivering what my existing front end is capable of, never mind further upgrades.

Linn Keilidh

I subscribe to the "rubbish in, rubbish out" school of thought that leads to the inevitable conclusion that a good deal should be invested in the "source" of a system.  Hence the departure of my LP12 in order to fund an upgrade from Squeezebox Touch / Cyrus DAC-X to the current Linn Akurate DS/0 Dynamik.  However, if you spend £10k on a source and £100 on a set of speakers, I reckon you're not getting the best sound for your investment.  Perhaps it should be more like 40% source, 30% amps, 40% speakers?  So having now got a much better source and set of amps, I think the speakers need to be next.  But they need to be good enough to reflect any later upgrades to source and amps.

So off to my friendly local Linn dealer to listen to some loudspeaker options.  Having heard my brother's Vienna Acoustics Beethoven Baby Grands recently on an all Linn system, I found them to be superb with acoustic, atmospheric music and great with vocals - imaging superbly, especially when we tried them with Cyrus power amps.  But put on some Yello (I listen to a lot of acoustic music, but I listen to a lot of Yello too) and it all fell a bit flat.  Not exciting enough to listen to, for me.

Here's what we had set up to trial the Linn speakers at the dealership:

My Linn Akurate DS/0/Dynamik
Linn Akurate Kontrol/1
Linn Akurate 2200/D amp for super tweeter
Linn Majik 6100/D amp for the other drivers
Linn Silver interconnects
2 x Linn K400 speaker cables
Quadraspire shelving

So apart from the AK/1 rather than my AK/0/D the system was as my own current system at home.  The room is in a large Victorian(?) terrace - ceilings about 11 feet high, very solid walls, about 13ft by 16ft at a guess, with the speakers firing across the shorter distance, and standing just inside each end of the bay - about 2ft 6ins away from the back wall of the bay.

We tried the following Linn speakers, both driven by the above amplification combination in fully active mode

Majik 140s first

then Majik Isobariks

Its difficult to A-B them as it takes about 20 minutes to swap the speakers over, get them level and to swap all the aktiv cards between the amps. None of the aktiv cards are common.

All FLAC ripped CDs were used, so all at 16 bit / 44.1 kHz. Tracks:

Blues Company - Dark Day; Cold Rain
Yello - Tangier Blue; Till Tomorrow
Eagle Eye Cherry - Shooting Up In Vain
Kiki Dee - Amoureuse (live)
Tom Baxter - Night Like This

Thoughts:

Both are way more detailed and easy to listen to than my Keilidhs -they manage to deliver a much more detailed treble with really clear, sharp edges, but without any hint of harshness or edginess
They both have good drive and deliver the rhythm well.
The 140 superficially seems to have more bass, but actually, the Isos go deeper and deliver a better definition of a tune and instrument pitch in the bass, whereas the 140s are loosing control - this is relative and the 140 is still a great listen.  We heard a couple of the tracks where the 140s deliver a bass tune, but the 'bariks deliver a more clearly defined tune and on some tracks there are 2 instruments playing in the bass that sound like one on the 140s.
Initially I was sat back on the sofa, but the sofa is backed up to the wall.  Sitting forward on the edge of the sofa markedly improved the bass definition, narrowing the gap between the two speakers.  At home my sofa is about 4ft from the back wall, so sitting forward was more realistic in terms of recreating my listening position, but takes you nearer to the speakers and I was already sitting closer to the speakers than I do at home.
The 'bariks deliver a very different mid-range when compared to the 140s and the Majik 109s I have at home - male vocals are better defined but recessed further back in the mix. Its a strange effect - I wouldn't say it was wrong, but it didn't feel right to me either.
The 140s produce a much more precise image (instruments are easier to pin-point) and the speakers themselves "disappear" as a point source better than the 'bariks. Not sure if that is due to the extra width of the 'bariks front baffle compared to the 140s?

Overall, I think the 'bariks are the better speaker, particularly the way they deliver bass. But they really are quite different in their presentation compared to the 140s, which came as a suprise - I wasn't expecting such a different presentation, given the common components in the "2k array".  I was expecting the 'bariks to be a more refined and defined version of the 140s.

I would be happy with either.
The 140s also look better to my eyes!

Thanks to the gents at HoL for the session.

Linn Streaming Evening, Chris Brooks Audio

Late summer and Chris Brooks Audio in Warrington has a streaming open evening (A Mid-Summer Night's Stream, but we'll forgive that one!) to launch the new Linn Akurate DS/1 and Klimax DS/1.  The local debut of the new Isobarik speaker was quite and interesting addition.

Chris did lots of talking about the technologies and why they were so much better than CD etc. etc.  As is often the case with this kind of evening, there was a bit too much talking rather than letting the music do that by itsself, but I guess us punters need to pay for our glass of wine / orange juice!  It was a very warm evening which gave the guys in the shop a bit of a problem as the main upstairs listening room was rather stuffy with 10 or so bods and some heat producing hifi gear.  Windows open to cool the room was just too noisy so it was a constant swing between noise then heat then noise then heat.  A shame, but a bit beyond the control of the shop.

In the upstairs room, the comparisons were performed - and very well too, it must be said.  Constantly swapping between different streaming devices could've been a problem as the iThingy control devices could've easily suffered from user error and be pointing to the wrong source at the wrong time. The system was an interesting mix of amps (all from Linn of course), and I can't remember if the speakers were being driven actively or bi-amped.  I think the Isobariks were being driven by the power section of a Majik DSi (that's a Majik DS and integrated amp all in one mid-sized case) and an Akurate amp of some description - probably a 4200.

Firstly, impressions of the new Majik Isobarik speakers.  They're about £3,500, so that makes them low mid-range in Linn terms and top of the Majik speaker range.  The shop had only had them for a few days so they might not've been run-in properly, I wasn't convinced that the Majik DSi amp would be really grunty enough for a speaker of this size and quality and I would imagine that the shop guys would need to experiment some more to get the best positioning for them.  There was a Linn guy on hand from the factory, so they had a reasonable chance of being about right.  I found them extremely dry but really rather superb on the detail front.  Bass, for an Isobarik, is not as deep and extended as I imagined it would be, but as expected from Linn, timing felt very accurate and enjoyable.  They were great for hearing the differences in the sources - but they didn't really give that sense of excitement that I look for in a system - just a bit to restrained.  Amps?  Not run-in? Or is that just the way they are?  Perhaps we'll see them in the press soon and find out what the "experts" think.


So to the sources.  All the following were demonstrated through this system:

Majik DSi (no recent changes to this, save the addition of the Dynamik power supply about 12 months ago) - the standalone streamer version of this (without the integrated amp section) is £1,900

Akurate DS/1 - the new version @ £4,500


Klimax DS/1 - also a new version @ £10,000 (top centre in this mouth-watering stack of music playing technology drool-fest)



How was the sound?  Well the Majik was very impressive as a starting point - lots of detail, good timing, clear vocals, good imaging.  Bringing in the Akruate was a big step up, much larger than any of the audience were expecting - the imaging filled the room, timing was stunningly better, separation of the instruments very clear and the pace of the music seemed to pick up somewhat.  Those in the audience with a Majik DS were either reaching for their cheque book, or looking a bit glum.  Then comes the Klimax.  If you look at the pictures of the Klimax circuit board vs that of the Akurate that can be found on the internet then there doesn't seem to be that much difference until just before the final analogue output stages.  Of course, the box is significantly different too.  However, it is clearly different to listen to.  I remember from the first generation of DS products that there was a big difference from Majik to Akurate, then a smaller difference from Akurate to Klimax, meaning that the Akurate was the price / performance sweet spot.  Now though, when you listen to the new Akurate DS/1, you're probably going to think "good grief, how can the Klimax be better than this?".  But it is, and significantly so.  The step from Majik to Akurate described above is delivered again in the next step.  Very, very impressive.

So those with Majiks and Akurates where then concerned that they were going to be disappointed when they got home, and those who have yet to go streaming were thinking that they would have to save up for the Klimax, or give up now if that was unlikely to be attainable.  However, Chris had another trick up his sleeve.

Bear in mind that I have a Meridian CD player and chose this over and above players from Linn and Naim - albeit about 10 years ago.  I've never really been convinced about Linn's CD players - they've always been somewhat underwhelming.  However, Chris rolled out a Linn CD12 - no longer in production now, but a £12k machine in its day.  Lets cut to the chase - the Majik DSi completely wiped the floor with this CD player.  Period.  I hope there was no one there who'd bought one of these...  This made the Majik DS or DSi owners and those who can't aspire to anything further up the range much happier!

Elsewhere in the shop, the back room downstairs was running a Klimax DS/1, Klimax Control, and indeterminate Klimax power amp and a pair of 350A speakers.  Outside the dem room, this system was attracting the most attention.  It was sounding very detailed and bass was stonkingly deep but extremely well controlled.  But for me, there was something missing.  Its a bit difficult to put into words, but I would describe it as a coolness - and I don't mean a lack of warmth, I mean a lack of emotion in the music - for me this makes it a bit pointless as its the emotional content that's most important.  Technically very very impressive, but overall just not something I wanted to sit down and listen to attentively.  It doesn't help on evenings like this that folk like to chatter when there's music playing, so its not a truly fair position to take, and I won't write off this system on the basis of this event.

Fortunately, no-one was interested in the downstairs front room, given that there was lots of loverly Klimatic Kit to listen to in the bacK.  Here in the front room I discovered something rather wonderful - the opportunity to listen to a complete "as good as it gets within the Akurate range" fully active system, all on my own, with no interruptions from chatter.  Akurate DS/1, Akurate Kontrol, 3 x Akurate 4200 power amps and fully active Akurate 242 loudspeakers.  Once the guys got this powered up for me, initial impressions weren't all that good - good, but not stunning.  A quick look down the back of the source / control components an "ah!" and off went my attentive shop assistant.  Approx 30 seconds later, he returned to the room clutching a pair of Linn silver analogue interconnects.  Off went the system, out came the balanced XLR leads from DS to pre-amp and in went the unbalanced Linn sliver interconnects.  Once powered up again, this change was absolutely stunning.  I've read lots about balanced connections outperforming unbalanced - this is the conventional wisdom.  However,  I would suggest its a matter of the combination of kit in use and the cables in use too.  This was not a subtle change, in this system, the unbalanced Linn interconnects were clearly superior.  Never assume without listening!  At last I was hearing something truly great.  Track after track (16 bit CD rips and 24/96 high res) had me glued to the music, often staggered by the scale and depth of the soundstage, shaking my head at the resolution of female vocals and actually gasping at the lowest of low notes, slamming out in a controlled way, or rumbling - deeply underpinning the rest of the music.  I spent a good hour browsing through the tracks available on the shop's NAS via an iPad - this is a great interface and very intuitive to use.  This system is the top end of Linn's mid-range range.  But that's not mid-range in traditional hifi terms, its a Linn perspective.  This system is knocking on the door of £30,000 without cabling, so its truly in the aspirational class for most of us.  However, I'd have no hesitation in recommending this system as a must listen to anyone fortunate enough to be able to consider spending that kind of cash on music.

It gets me thinking though...how long will it be before you can pick up this system for under £5k on ebay?  I'd give it 5 years or so.  Hopefully the DS tech will still be relevant then!

There was no LP12 vs DS comparison at this event, I'm sure that would be an interesting one, but a top end LP12 is North of £10k now, and I doubt it would get close to the Akurate DS/1, never mind the new Klimax DS.

P.S.  There's a lot of debate in the bloggosphere and the forumosphere (?!) about what Linn's doing for owners of the existing Klimax DS (now known as the DS/0).  If you take your Klimax DS/0 to your Linn dealer they'll upgrade it to a DS/1.  I'm not sure how much this costs, but the key thing here is that they don't just throw out the old DS/0 innards.  In fact, they re-box them into a case that's somewhat simpler and more cost effective than that of the Klimax - they call it the Renew DS.  The idea is that it gives customers and "almost" Klimax DS/0 to use in a second system in their homes.  Some customers think this is a great idea, others seem to think Linn are exploiting them by charging them for a Renew box to put their old innards into.  For me, this sounds like a great solution - you get a lower cost Klimax DS/1 through the upgrade and then you get a brilliant DS player for another room, meaning that the old electronics don't go on the scrapheap.  Its optional.  What's not to like - it would be good if other hifi manufacturers could follow this lead - re-boxing older kit when an upgrade is applied to the main system, great idea.