"What a refreshingly honest blog about listening to music through hi-fi. So happy to see views based upon the enjoyment of music rather than so-called sound 'quality'." - Peter Comeau, Director of Acoustic Design at Mission / Wharfedale
Showing posts with label sound of the show. Show all posts
Showing posts with label sound of the show. Show all posts

Sunday, 5 October 2025

RADIANT ACOUSTICS (WITH HELP FROM CAMBRIDGE AUDIO) CLEAN UP AT ASCOT Hi-Fi LIVE SHOW, UK. SEPTEMBER 2025

 RADIANT ACOUSTICS

At one of the most prestigious shows in the UK, and the largest near to London, newcomer Radiant Acoustics took 2 awards.  Read on to find out why:


Another new name for the UK - this time Radiant Acoustics, a speaker manufacturer from Denmark that sells direct to the customer. They claim this enables them to offer exceptional value for money.  In line with that philosophy the Clarity 4.2 (£2.3K) and 6.2 (£2.5K) models were partnered with the relatively modest Cambridge Audio EXN electronics.  The streamer at £1.6k and the integrated amplifier at £2k.

Both speakers use the same stand, and the same philosophy - a ribbon tweeter and Purifi mid-bass drivers with side mounted passive radiators.  As far as I can recall I've enjoyed every pair of speakers I've heard that use the Purifi drivers, such as those from Kromer Atelier, Lindemann and Arke Audio.  In audio component terms, they're a very expensive driver. This new comer is not going to change that trend.  This system sounded terrific. Music is presented as music (not as technology) with dynamics, flow, subtlety, believability and entertainment.  Both speakers do all of these things, the 6.2 adding a little more weight to what is already an outstandingly deep and powerful bass performance from the 4.2.  I'd happily live with this system using either pair of the Radiants.  In a show full of extremely expensive systems, this was the stand out performance. For less than £6k.  Easily a Best in Show performance. Peter Lyngdorf does it again.

Worthy double award winners.








Full show report here

Thursday, 28 November 2024

Epos / Innuos / Merason / moor amps - Belfast Audio Show 2024 - SOUND OF THE SHOW AWARD!

 


Not quite the simplest system of the show, but this system consists of modest looking components, doesn't call attention to itself and can be accommodated in a reasonably small space.  Innuos Zenith server / streamer fed the modest looking Merason frerot DAC with its optional pow1 upgraded PSU. Another appearance by moor amps with the Angel Pre and their smaller Angel 4 stereo power amplifier.  Finishing off the system is the Epos ES14N - said to be a revitalisation of the original ES14 from the 1980s, but its really a completely different design from a cabinet and driver perspective - they come with their own dedicated stand. Its distinctive in a kind of 70s vibe kind of way, but their low height probably make them acceptable in more homes than larger products. Circa £25k in value for this system.

This is the second of the 2 rooms that I spent the most time in over the weekend of the show. It was positioned directly across the corridor from a system that really emphasised just how differently music can be presented and how there are clearly customers looking for different experiences. This was definitely a "sit back" kind of room.  Track after track I found myself starting out listening to the system's characteristics but then getting to the end of the track and realising that I'd forgotten to do that without consciously doing so - I was listening to the music itself. Oh, except some of the more "challenging" jazz that my fellow visitors chose - some of that was just too impenetrable for my more simplistic tastes!

How to describe the sound here? A tough one because there was no defining sound. Pretty much everything is there in the right (or should I say perceived right?) order, good drive without fatigue, articulation in the bass, clear and intelligible vocals, lots of information in the treble (ooh, there's a point, it was information, not data!) and a flow that didn't grab your attention, but rather allowed the music to grab your emotions.

Great stuff.

Tuesday, 8 October 2024

UK Audio Show 2024 - Meridian - Highly Commended and Sound of the Show Awards

 

Its over 10 years since Meridian attended a UK hifi show - a bizarre choice I never quite understood.  Perhaps they were doing OK without too much publicity, but it does seem like an odd policy.  Maybe now the MQA cash cow has (thankfully) died a death, they need to go back to their roots and make money out of hifi products again?
When we entered the room, the flagship DSP8000 XE streaming active speakers were playing - they're the piano black behemoths in the picture above.  They weigh in at 95kg each and the class D amps for the bass drivers are capable of just under 1kW. Class A-B amps drive the tweeters and the mids in the separated top cabinets.
Although this was a large demo room, Meridian had effectively split it into 2 smaller rooms with one open side by putting a pair of speakers firing across each half of the room.  So this might not have been the ideal set up for this large flagship speaker, but they certainly demonstrated huge power, scale, dynamics and detail.  Everything hit home but there was a sense of complete ease about the presentation - how they balance such impact with such a sense of musicality is very impressive - they're not shouty, they're not harsh, they don't do detail at the expense of musical engagement, they just do the lot.  The only reservation I have, and it may be that they just need more room to work in, is that the scale of things was unrealistic. Sure a big bass drum or a full orchestra should sound big, but when the vocals and the smaller instruments like violins sounded 3 or 4 times larger than the real thing, that let the side down a bit.  Would like to hear them in a better situation. £80k the pair.
Then we moved over to the other half of the room to sit in front of the second tier offering -  the DSP9, here presented in a very sophsticated mid-blue metallic.  Any RAL colour is on offer, of course. At £65k a pair they're not exactly a bargain, but they are source, amps and speakers all in one, and its not hard to spend £65k on an amp alone of course...
At first listen these appeared to be a disappointment. But our room host was playing a bit of a trick on us as he'd actually started playing the little ELlipse all-in-one unit seen at the back between the large speakers. At which point it became very clear that this is a very impressive unit indeed.  Worth a listen if you've got £1900 to spend on something for the kitchen / office / etc.
But back to the DSP9 - well, its pretty much as impressive as the bigger sibling. A touch less weight, but that really is only apparent in direct comparison - I'm pretty sure that if I'd arrived cold to these they'd still be taking breaths away.  They do all the same stuff as the larger ones - that uncanny ability to drive, punch, excite, inform but also engage, avoiding any edginess, no harshness, everything presented beautifully - but with one major difference. Here the orchestra is huge, but the violin is a  sensible size in the image. Maybe they're better suited to the room, but for me this was the better, more enjoyable speaker because that over sized effect wasn't there to distract. Truly an excellent product.
Welcome back to the shows Meridian, a great return.