Mission 737 Renaissance Mid-Bass Driver SOLD

Now SOLD. Thanks

Find it here on ebay:

http://www.ebay.co.uk/itm/Mission-737R-Renaissance-Mid-Bass-Speaker-Driver-Loudspeaker-/291424807115?hash=item43da45a8cb

Scalford System 2015 - Feeback From Around the Forums

Here are the comments from around the forums (I've listed them all, where I've found them - both positive and negative):

LINN:

Dasher: I think that you surprised quite a few people yesterday! Congratulations - it worked really well

PINK FISH MEDIA:

Ginger: A digital set up of Fiio/MF VDAC, tisbury passive and Linn Katans (all for under a grand according to it's owner) sounding lovely, especially at this money. I've heard none of this stuff before but the speakers disappearing, imaging nicely, again unforced, out of the boxes, I could live with that no problem. 

Muzzer: Ginger I agree about some of those big money systems being amongst the poorer sounding systems, also was not really impressed by the much hyped Event Opals and did not rate the Linn Katan active setup much.

Joolzdee: My first, but won't be my last Scalford show.
Favourites for me were...in no particular order....
Room 200 with the Mac mini/ Grimm active speakers
Room 201 with the Royd Sapphires. What a big sound!
Room 202... Activ Katans
and Room 22... High spec LP12, Gato, Art Alnico speakers (stunning!!)
Well done to all exhibitors though.....plenty of good sounds and lots of hard work too!!
Thanks everyone.

TonyL: I enjoyed a couple of systems mentioned rather negatively upthread, the active Katans & Events both sounded good to me, I've certainly never heard passive Katans sound anything like that good before, but in both cases I managed to bag a good front and centre seat.

Foot Tapper: I made a point of popping in for a listen yesterday and was really pleasantly surprised. For such compact speakers, I thought that the sound was punchy, fast, tuneful and went surprisingly deep. The very small source components were also digging far more of the music out than I had expected. Not being a fan of Linn's current electronics, I really wasn't expecting much, but the system far, far exceeded my expectations. In fact it was great! Thanks for making the effort to set it up so well.   (also, from the same contributor on the Naim Forum: Your room sounded amazingly good this year, especially for such a compact system.  
It must have been the active amplification for the speakers.
Either that, or the carefully selected grade of goose down in your bass traps

jhud1952: Couldn't agree more - truly excellent sound from such a compact system.

CYRUSUNOFFICIAL:

hifinutt: so good to catch up with quite a few from cu and the rooms sounded good with the opals and I must say sunbeams room was absolutely brilliant as usual. those katans with the linn and flac source was very holographic. well whatever you did it was magic !!!!  As you know sunbeam was using his (Tisbury) in his marvellous set up at the wam show and it sounded pretty fine

mickbald: Sunbeams set up. How can you possibly get so much sound for £1000? Tiny speakers delivering the impossible, and where was the subwoofer hidden? Sunbeam never stood up while I was there so I have my suspicions

maro73: Some systems to point out
1. Sunbeam .. World beater system
2. The mingda system was really good
3. There were some high high end systems , good to listen to but in a house impossible , unless you wife is blind or likes hifi

abozo: sunbeamgls: very impressive sound/pound. Your system was making a lot us think!

Dan1502: Having been meaning to find your room all weekend Edun telling me how good it was gave me a nudge to go and find it on Sunday afternoon. It ended up being a much needed break and I sat there relaxing for half an hour or so up until the point I noticed nobody else could get in the room so I moved on for their sakes.

Callen24: Sunbeam system was one of the few able to create a soundstage, I only heard 13 rooms, but most of them sounded like the sound was in the speakers, not around them....The two packed duvets, in the corner, and the closed curtains suggest to me that sunbeam spent a lot of time thinking about what he was doing. He has obviously had an affect because the price of katan speakers has gone up a few notches, on the bay, since scaffold.

CrimsonDonkey: Loads of cred for sunbeams room he did a great job

HIFI WIGWAM:

Petrat: ... and Sunbeamgls ... those little Aktiv Katans will stay long in my memory.

syep2001: Sunbeamgls - Probably them most relaxed room i went in all day, smooth low volume, and the female vocal that came out of the Katans sounded very nice.

JamPal (nee hifiwigwam at the time): However, it was some of the smaller rooms which really got me thinking. SunbeamGLS's little Linn Katans fed from a FIO was absolutely stunning, I stayed a long while in there.

Steve H: The speakers I enjoyed listening to most today was the Linn Katan in room 202 followed by the little Harbeths P3. The produce to my ears, a sound that is fast and clear. I could have stayed much longer to enjoy the music and conversation.

NAIM FORUM:

naim_nymph: This system was top draw imho, the small speakers didn't challenge the acoustics of the room, no colourisation, just easy on the ear music. If there was a prize for giant killing this system would have got 1st place.

Wanted to stay longer but much to go see and hear : )

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HiFi Wigwam Scalford Show Report 2015 - As An Exhibitor

After working through the check list and packing the car in 2 short stints in between the rain, on the way just after 1pm, arriving just before 4pm.  Checked in then my brother arrived just in time to unload the car.  We had a small ground floor room in the new block which had the expected twin beds set up, so not much room for boxes and kit.

Once the car was unpacked we headed for the bar, chatted with a few wammers but it was fairly quiet there.  Then we got the kit out of boxes and up and running, just so we could be sure everything was working, which it did straight away - I guess it took about 90 mins elapsed time once all the unwanted boxes and spares were back in the car.  We listened for a bit, decided it sounded OK, but there's no point in going for a result when the beds are in the room.  Got the bits n pieces off to the room to contribute to the charity bring and buy hifi stuff stall.

So a brief wander around a couple of rooms on the same floor, then off to the bar for a drink to join the curry.  A bit after 7pm the curry was available and the dining room filled up quickly.  Beef, chicken and veg curry plus rice, naan and bhajis etc., on a help yourself basis (so that'll be 2 platefuls thanks!) went well with the very well presented hand pulled Doom Bar ale.  More natter over the curry.

Then for the very relaxed wander around the rooms that were up and running to try and get as many done over the quieter hours of the evening - Sunday is always too busy to get around everything, particularly when there's a room to look after - even when there are 2 too share the work.  See separate report (to come) about the rooms I really enjoyed at the show.

Can we not have the show over the clock change weekend next year please?  :-)  Losing an hour doesn't help - not a biggie, but a preference!

We were up at 7:30am (BST), showered etc., then down to the decent breakfast where we learnt a good deal about reel to reel professional tape machines, tape mastering, the carelessness of the industry when it comes to preserving masters, how to unstick gummed up tape reels etc. etc from Lodgesound.  Didn't realise it was so complex!

Back to the room and we started with furniture moving (its about 8:45 now with visitors due around 10:00) to clear out the beds and bring in the chairs.  With there being 2 of us, we didn't wait or call for hotel staff, just got on with it.  The bed bases went into the en-suite, one mattress stayed in the room and one went out of the room.  The small bedside tables came in handy - I was thinking for putting small lamps on them, but it turned out they were great for creating bass traps in the front corners of the room.

We messed about for some time moving the speakers too and fro to try and get the bass boom in the room to a minimum - being in a very square room is only exceeded by a completely cubic room.  We did at least have a concrete floor to spike the speakers down onto though, so that helped.  The best place for the speakers was a long way out into the room and would've left only one row of seats - never going to be enough for visitors.  We pushed the speakers back closer to the wall again (about 45 cms from the wall) and stuffed socks into the rear ports on the Katans.  The bass boom was gone, but so was the music - the life was sucked out of it.

So the bedside table went into the front corners and were stacked with bean bags underneath and duvets on top.  This was a vast improvement, but still not enough, so the bean bags went on top of the tables and the spaces underneath were packed with pillows, with one of the mattresses propped up against the back wall of the room.  Believe me, if you want a good sound, make sure the house you buy doesn't have a square room!  At this point we were happy enough to say we'd done enough for a reasonable result - and enough room for 2 x 3 rows of seats for visitors.  I noticed that the room sounded at its best with 4 to 6 people in the room.  Curtains closed and some low level lighting to help the atmosphere :-)

First arrivals at around 9:50am (show opens at 10!) and we have 2 or 3 folks in the room at a time until around 10:15 when it starts to get busy, then we have a steady stream throughout the day through to 4-30pm.  Sometime there are 2 or 3 people, sometimes we have 12 in (game of sardines!) and sometimes folk try and open the door and give up trying to get in - maybe some of them came back later.  We did have a few that opened the door when there was room to get in, but decided they didn't like what they heard (which is, as I've said a good few times before at other shows, not a good way to make any evaluation, particularly when you consider how much effort goes into getting the speakers to just the right place in the room).

Throughout the day we are lucky enough to get several re-visits and some come back for a third session, with lots of really encouraging comments about the system.  Also, I noted that pretty much every visitor made the effort to smile, nod or say thank you as they leave the room - I think that was a massive improvement on previous years when many folks never bothered.

The FiiO was on shuffle going through the playlist here, but during the quieter times a few people asked for particular tracks to be played - very happy to do this!  Brother John and I took turns to look after the room and tour around the other systems.  The day whizzed by (it always surprises me this, the 7 hours of showtime seem to stretch out in front, but then it all disappears so quickly) and we enjoyed the music (mostly, I guess John wasn't that happy with some of the dance tracks on the playlist, but he knows how to move it on...).  Having technology that just gets on with playing the music makes the day quite easy (and give time to answer visitors' questions) and takes the heat out of deciding what to play next as the machine just gets on with shuffling through what I've already decided would be suitable.  It does take a bit more time in advance of course, so adds a bit of pressure in advance, but removes so much of it on the day. We did get some feedback on the music choice - particularly that it was "real" music choices rather than simple well recorded jazz-lite which is what seems to be always on offer at the commercial shows.

We had an empty room at 4:30 but then at 4:40 we had a couple of returnees who requested a few tracks and shared their thoughts on the day (they'd managed to visit every room - that's quite an impressive feat and bit of organisation, particularly as several rooms were impossible to squeeze into for a good part of the day, being so popular).  We were very happy for the re-visit, but with a 2.5 hour drive to look forward to unfortunately had to politely ask them to leave at 5pm so we could pack away.

Amazingly the packing was done in an hour and everything was back into the car.

Must say a huge thanks as follows:

James and the organising team at Hifi Wigwam
Those that organised the raffle and/or supplied prizes
Those that worked on the other charity efforts
The hotel (they're so tolerant, AND they now serve hand pulled Doom Bar)
Visitors to the room (who were happy to come through the door despite the brands listed on the door)
The kind comments from visitors about what they heard in the room
All the exhibitors who put in so much effort and are happy to help each other out
JVS for the pies and the excellent Wam-taxi services
And anyone else I should be thanking, but have forgotten

But most of all, thanks to my brother John who supported the room with box shifting, many hours of room sitting and assisting with the beer drinking and to my fantastic family for giving us the time to go out and do something a bit daft with the weekend  :-)

Here's a picture of Room 202 at the show:

DETAILS OF THE SYSTEM:

On the bench, from left to right:

First (on the perspex stand): FiiO X3 portable hi-res player, loaded with FLAC files, most of which are 16 bit CD rips, but a handful of 24 bit files too. Music chosen on the basis of music I enjoy first, but then narrowed down based on production . SQ qualities. This was being used purely as a digital transport. Using the coax digital output the signal was fed down a Chord ProDAC Pro Gold digital coax cable to the DAC.

Second (small silver box): a Musical Fidelity PSU-2 which is a linear power supply for the DAC

Third (small black box): a Musical Fidelity V-DAC 1 which feeds its output down a pair of Linn Silver interconnects (silver is the model name based on the colour of the sleeve, there's no actual silver involved) to the pre-amp

Fourth (wooden front with silver knobs): Tisbury passive pre-amp - basically a source selection switch and a potentiometer in a box. This was connected by Linn Silver interconnects to the power amp

Fifth (large blue box): Linn AV5125 multi-channel power amp (125W per channel). In here there are active crossover cards. For each channel the signal from the pre-amp is split into treble and bass frequencies before the amplifiers, then the treble signals go to one channel of the amplification, bass to another. The signal is then sent down one pair of speaker cables (each Linn K400 speaker cable has 2 pairs of conductors) directly to the appropriate driver in each speaker (there are no crossovers in circuit in the speakers). So 4 channels of the power amp are in use - 2 power amps for each speaker, 1 power amp per driver.

The electronics are all on Mission Isoplats and a single shelf and legs of Quadraspire QAV (with a home made brace halfway down the legs)

Speaker cables are Linn K400, which, at 5m each are too long for the room, but we laid them in S shapes rather than coiling.

Speakers are Linn Katans with the back panel connections set up for active operation. They are on the original Linn stands which are spiked, adjusted to be level and no rocking movement. Katans blu-tacked to the stands.

Corners of the room heavily damped with bedding and bean bags (we ended up with more than shown in the photo) and a mattrass against the rear wall. Being a perfectly square room is a real pain! Took us about an hour to get the sound to the best we could with the room we had and the materials available. We even tried socks in the Katan's rear ports for a couple of minutes, but that killed the sound. We also had the system playing quietly the evening before and from about 7:30 on Sunday morning.

Power cables were all standard issue stuff, including a normal extension lead. The Linn amp has been refinished in MG Trophy Blue - one of the reasons the system has been so cost effective as the amp was very scruffy when I bought it, so it cost me about 55% of what they normally sell for.

I mention all the details, which you might think is very long winded, as I think all the little bits add up to a better total.

Hope that helps.

Link here to pictures of setting up the Katans and installing the active cards in the amp: http://audiophilemusings.blogspot.co...th-av5125.html

And another picture by Phil Morgan, with the full bass trap treatment (and a decent camera by the look of it!)

Surviving the Wigwam HiFi Show At Scalford 2015

The room list has been published here: http://thehifishow.com/guide do your research now and you can prioritise the rooms you want to visit based on the types of equipement in use.
A few tips:
In the rooms you're interested in, try a few different seats in the room as the set up won't be perfect and you might find yourself in a room null / peak and not get a good impression so move about a bit.  Also try a minimum of 2 tracks before deciding to stay a bit or move on.  Mark up your guide before and during so you know which rooms to go back to.
It a bit of a warren - treat the building as 2 halves - the old building which has most of the larger rooms - ground and first floor, with the stairs to the first floor being just opposite the reception.  The new building is best accessed through one of 2 less than obvious doors - see the guide linked above.  One is just to the right of the Private Dining Room and involves crossing the courtyard to the door diagonally to the right.  The other is to the left of the stairs at the left of the private dining room you go straight through 3 doors and then turn right along a covered walkway and through another door into the new section.  Once in the new section its essentially a 2 floor L shape so you can work along one floor, change floors and work back along the other floor.    The only anomilies to this are the Gun Room / Rutland Room on the ground floor and Syndicates 23 and 24 on the first floor, so watch out for those.
If you want to maximise your time, take some sarnies as its a fair schlep back to the "restaurant" which will be selling burgers and sarnies.
May be start and the far end and work back, if you're there first thing as many just wander into the rooms nearest the doors and they get crowded

Be polite enough to smile / nod / acknowlege the room hosts.  You might like what you hear, it might by OK or you might think its awful - that doesn't matter, the room hosts deserve a thank you for spending their own time and cash to be there.

Steven Wilson At The Troxy, London. March 2015

Really enjoyed the gig at the Troxy this week - much more than I thought I would.

The venue is magnificent - I assume previously it was a cinema - its a real art-deco joy (if you like that sort of thing!). Can't really comment on how it behaves from a sound quality point of view as I was near the back underneath the surprisingly low balcony ceiling, where it was OK enough.

PA was good quality, if just a touch too loud for the size of the venue. They were using rear speakers too, which was an interesting touch - they mostly pipe effects such as waves and rain through these, but backing vocals too from time to time. Light show fairly straight forward and one that was to add to the mood of each song rather than a show in itself. About 3/4 of the way through the gig a thin semi-translucent curtain came down in front of the band and that added to the lighting effects, in addition to being used as a screen for various moving images. The rest of the time the large screen behind the band was used either as part of the light show or for moving images of the girl-in-a-field, waves on a beach, grainy photos from childhood variety.

The band were very together (which can't be easy with this kind of music), the wild variety of light and shade, tempo changes, key changes etc., were all on show, very well executed. The way the music changes so much I have found difficult to enjoy in the past, but bringing it to life helped understand it better. Steven's singing was spot on and the whole band was passionate.

Really enjoyed the gig overall, much more than expected. It was also good to feel like a younger member (at 50!) of the 80% male audience.

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The Hifi Wigwam Scalford Show 2015: Room 202 Playlist

THEHIFISHOW.COM

Here's the kit list we're exhibiting at the show this year, in Room 202:

FiiO X3
Chord Prodac Gold coax cable
Musical Fidelity V-DAC 1 with V-PSU 2
Linn Silver interconnect (its only a description of the sleeve, no silver involved)
Tisbury passive pre-amp
Linn Silver interconnect
Linn active crossover cards inside AV5125 (using 4 of the 5 power amp channels)
Linn K400 speaker cable
Linn Aktiv Katan speakers on their dedicated stands

Also, a fun system in the bar area on Saturday night.

And here is the list of 16 bit and 24 bit tracks that will be on shuffle and visitors will be able to ask for particular tracks from the list too:

$olal	Psycho Girls & Psycow Boys (Haaksman & Haaksman remix)	Electronica	2007
Afterlife	Makes Me Feel	Electronica	2000
Agnes Obel	Fuel To Fire	Jazz	2013
Ane Brun	Words	Folk/Rock	2011
Ane Brun	Worship (Feat. Jose Gonzalez)	Folk/Rock	2011
Annie Lennox	Why	Pop	1992
Art Of Noise	Moments In Love	Electronic	2008
Black Mighty Orchestra	Ocean Beach (Cybophonia Cinematic Remix)	Electronic	2008
Black Sabbath	Planet Caravan	Rock	2000
Blues Company	Cold Rain	Blues	1997
Blues Company	Dark Day	Blues	2007
Brendan Perry	Death Will Be My Bride	Folk	1999
Brendan Perry	Medusa	Folk	1999
Chris Rea	Looking For A Rainbow	Rock	1989
Chris Rea	Texas	Rock	1989
Daft Punk	Give Life Back To Music	Pop	2013
Daft Punk	Lose Yourself To Dance	Pop	2013
Damien Rice	Cannonball	Folk/rock	2003
Damien Rice	Cold Water	Folk/rock	2003
Damien Rice	Delicate	Folk/rock	2003
Damien Rice	Volcano	Folk/rock	2003
Dead Can Dance	Agape	Folk	2012
Dead Can Dance	All In Good Time	Folk	2012
Dead Can Dance	American dreaming	Folk	1994
Dead Can Dance	Amnesia	Folk	2012
Dead Can Dance	Anabasis	Folk	2012
Dead Can Dance	Children Of The Sun	Folk	2012
Dead Can Dance	Opium	Folk	2012
Dead Can Dance	The Ubiquitous Mr. Lovegrove (Remastered)	Folk	1993
Dean Fraser	Big Up/Armageddon Time	Jazz/Reggae	1997
Dean Fraser	Dick Tracy	Jazz/Reggae	1997
Death Cab For Cutie	Doors Unlocked And Open	Indie Rock	2011
Death On The Balcony	Them 3 Words (Original)	Electronic	2012
Devon Allman	Strategy	Blues	2013
Devon Allman	Time Machine	Blues	2013
Dire Straits	Fade to Black	Rock	1991
Dire Straits	Planet of New Orleans	Rock	1991
Dirty Vegas	Days Go By (Acoustic Mix)	Chillout	2003
Disclosure feat London Grammar	Help Me Lose My Mind	Rock	2013
Eddi Reader	Dear John	Folk	1994
Elbow	Asleep In The Back	Indie	2001
Elbow	Mirrorball	Indie	2008
Elbow	One Day Like This	Indie	2008
Emily Barker	Nostalgia	Folk/Rock	2012
Erykah Badu	Next Lifetime	R&B	1998
Erykah Badu	Rimshot (Intro)	R&B	1997
FAC15	Stay With Me Til Dawn	Electronica	2007
Fink	Perfect Darkness (Live from Union Chapel, London Oct 5 2011)	Rock/Indie	2012
Fink	Warm Shadow (Live from Epicerie Moderne, Lyon â?? Oct 28 2011)	Rock/Indie	2012
Flash And The Pan	Walking In The Rain	Pop	1990
Fleetwood Mac	Go Your Own Way	Rock	2011
Fleetwood Mac	The Chain	Rock	2011
Ganga	Don't Wake Me Up	Electronic	2006
Ganga	Down But Up	Electronic	2006
Ganga	You Are My Sun	Electronic	2006
Gare Du Nord	Pablos Blues	Dance	2002
Georges-Emmanuel Lazaridis	Grandes Etudes de Paganini Etude III	Classical	2007
Goldfrapp	Let It Take You Away	Electronica	2005
Goldfrapp	Ooh La La	Electronica	2005
Gotye	Don't Worry We'll Be Watching You	Rock/Indie	2012
Gotye	Puzzle With A Piece Missing	Rock/Indie	2012
Gotye	State Of The Art	Rock/Indie	2012
Holly Cole	Train song	Rock	1995
Hue & Cry	Makin' Whoopee	Jazz
I Am Kloot	Hold Back the Night	Rock	2013
I Am Kloot	Let Them All In	Rock	2013
Ian Shaw	A Case of You	Jazz	2006
It's Immaterial	Driving Away From Home (Jims Tune)	Pop	2008
Jakatta	American Dream (Afterlife Mix)	Electronica	2001
James Taylor	Gaia	Folk/Rock	1997
Jay Fisher	Old Man McKeensley	Folk/Rock
Jennifer Warnes	Way Down Deep	Pop	1992
Jenny Lewis	Bad Man's World	Country	2008
Jenny Lewis	Pretty Bird	Country	2008
Jesca Hoop	Peacemaker	Alternative	2012
Joan Armatrading	Love And Affection	R&B	1976
Joe Bonamassa	Feelin' Good	Blues/Rock	2009
John Lee Hooker	The Healer (with Carlos Santana & The Santana Band)	Blues	1989
John Martyn	A Little Strange	Folk/Rock	1996
John Martyn	Feel So Good	Folk/Rock	2000
John Martyn	Sunshine's Better	Folk/Rock	1996
Justin Currie	No, Surrender	Rock	2008
k.d. Lang	Constant Craving	Pop	1992
Kaiser Chiefs	Everything Is Average Nowadays	Indie	2007
Kaiser Chiefs	Ruby	Indie	2007
Keb’ Mo’	For What It's Worth	Jazz	2004
Keb’ Mo’	Wake Up Everybody	Jazz	2004
Keb’ Mo’	What's Happening Brother	Jazz	2004
Kiki Dee	Amoureuse	Folk
Kiki Dee	Don't Go Breaking My Heart	Folk
London Grammar	Hey Now	Rock	2013
London Grammar	Strong	Rock	2013
Lorde	Royals	Pop	2013
Lux	So La Ra Dsa	Electronica	2000
Lyle Lovett	North Dakota	Alternative Country	1992
Lyle Lovett	Record Lady	Alternative Country	1994
Lyle Lovett	She's Already Made Up Her Mind	Alternative Country	1992
Malia & Boris Blank	Magnetic Lies	Jazz	2013
Malia & Boris Blank	Tears Run Dry	Jazz	2013
Marta Gomez	Lucia	Classical/Jazz	2009
Mary Gauthier	Falling Out Of Love	Country	2005
Massive Attack	Three	Electronic	1994
Michael Jackson	Liberian Girl	Pop	2001
Millenia Nova	Beautiful	Electronica	2000
Nalin & Kane	Beachball (Joris Voorn Remix)	Electronica	2010
Nick Drake	'Cello Song	Folk	1969
Nick Drake	Fly	Folk	1970
Nick Harper	The Kilty Stone	Folk	2002
Nils Lofgren	Black Books	Rock	1997
Nils Lofgren	Keith Don't Go	Rock	1997
Nils Lofgren	Wonderland	Rock	1997
Nitin Sawhney	Broken Skin	Chill	1999
Nitin Sawhney	Letting Go	Chill	1999
Nitin Sawhney	Nothing	Chill	2001
Pete Alderton	(She Said That) Evil Was Her Name	Blues	2012
Pete Alderton	Jesus In A Bottle	Blues	2012
Pete Alderton	Passing Ships	Blues	2012
Pete Alderton	Song For David (alternative version)	Blues	2012
Peter Gabriel	Don't Give Up	Folk/Rock	2012
Peter Gabriel	Mercy Street	Folk/Rock	2012
Renegade Creation	Bullet	Blues	2012
Renegade Creation	Nazareth	Blues	2012
Renegade Creation	Too Much Of Nothin'	Blues	2012
Rhodes	Grinding Wheel	Rock	2013
Rhodes	You Are The North Wind	Rock	2013
Richard Thompson	Easy There, Steady Now	Folk	1994
Richard Thompson	Mingus Eyes	Folk	1994
Robben Ford	Make Me Your Only One	Blues	2002
Robben Ford	Peace Love And Understanding	Blues	2003
Robben Ford & The Blue Line	I Don't Play	Blues	1993
Robben Ford & The Blue Line	Mystic Mile	Blues	1993
Royksopp	Sparks	Drum & Bass	2002
Sam Cooke	Chain Gang	Blues
Sam Cooke	Cupid	Blues
Samantha James	Breathe You In	Electronica	2007
Samantha James	Right Now	Electronica	2007
Sarah McLachlan	Hold On	Folk/Rock	1994
Sarah McLachlan	Ice	Folk/Rock	1994
Sarah McLachlan	Sweet Surrender (DJ Tiesto Mix)	Folk/Rock	1997
Sarah McLachlan	Wait	Folk/Rock	1994
Seal	Kiss From A Rose	Soul	1995
Semisonic	Closing Time	Rock	1998
Semisonic	Secret Smile	Rock	1998
Shawn Colvin	Kill The Messenger	Rock	1992
Shawn Colvin	Polaroids	Rock	1992
Silverchair	Israel's Son	Rock	1995
Sinead O'Connor	Nothing Compares 2 U	Folk	2003
Slovo	Killing Me	Electronica	2004
Slovo	Whisper	Electronica	2002
Sofa Sweeper	Voice Of Core	Chill	2009
Solu	The Way I Feel (Extended Mix)	Electronica	2002
Solu Music Featuring Kimblee	Fade (Full 12 Vocal)"	Electronica	2003
Steely Dan	Babylon Sisters	Jazz/Rock	2000
Steely Dan	Cousin Dupree	Jazz/Rock	2000
Steely Dan	Hey Nineteen	Jazz/Rock	2000
Steely Dan	Two Against Nature	Jazz/Rock	2000
Steely Dan	What A Shame About Me	Jazz/Rock	2000
Stéphane Pompougnac	Eden (with Nicole Graham)	Electronica	2008
Stéphane Pompougnac	Sunday Drive (feat. Charles Schillings - Remix)	Electronica	2007
Stephen Fearing	Dublin Bay	Folk	1989
Stephen Fearing	Welfare Wednesday	Folk	1989
Sun Kil Moon	Half Moon Bay	Acoustic	2010
Sun Kil Moon	Third And Seneca	Acoustic	2010
Swing Out Sister	Breakout	Pop	2001
Talking Heads	Road To Nowhere	Pop	2008
Tchaikovsky	'Dance Of The Reeds' From The Nutcracker	Classical	2003
Tears For Fears	Mad World	Pop	2007
Terri Walker	This Is My Time	Electronica	2006
The Australian Pink Floyd Show	Time	Rock	2004
The Black Keys	Dead And Gone	Blues/Rock	2011
The Black Keys	Lonely Boy	Blues/Rock	2011
The Black Keys	Sister	Blues/Rock	2011
The Blue Nile	Let's Go Out Tonight	Rock	1989
The Blue Nile	The Downtown Lights	Rock	1989
The Brand New Heavies	Boogie (Eric Kupper Mix)	Electronic	2004
The Cardigans	Erase/Rewind	Pop	1998
The Farm	All Together Now	Rock	1995
The Jeff Healey Band	Blue Jean Blues	Blues	1988
The Killers	Human	Rock	2008
The Memory Band	Why	Electronic	2007
The Ray Gelato Giants	Exactly Like You	Swing	1995
The Ray Gelato Giants	That Old Black Magic	Swing	1995
The Wailin' Jennys	All The Stars	Folk	2011
The Wailin' Jennys	Bird Song	Folk	2011
The Wailin' Jennys	Swing Low Sail High	Folk	2011
The Zutons	Valerie	Rock	2007
Thea Gilmore	Bad Moon Rising	Folk	2003
Thea Gilmore	Ever Fallen In Love	Folk	2003
Thea Gilmore	God's Got Nothing On You	Folk	2010
Thea Gilmore	Icarus Wind	Folk	2009
Thea Gilmore	The Old Laughing Lady	Folk	2003
Thievery Corporation	Heaven's Gonna Burn Your Eyes (feat. Emiliana Torrini)	Electronica	2004
Thievery Corporation	The Richest Man In Babylon	Electronica	2010
Thievery Corporation	Until The Morning	Electronica	2010
Tiny Tunes	Will You Catch Me (Twin Tunes Mix Edit)	Electronic	2001
Tom Baxter	Night Like This	Jazz	2007
Tom Baxter	Skybound	Jazz	2007
Tom Jones	Thunderball	Soundtrack	2002
Tom Robinson	The End Of The Rainbow	Folk/Rock	1993
T-Rex	Get It On	Pop	2001
U2	Hold Me, Thrill Me, Kiss Me, Kill Me	Rock	1995
U2	In A Little While (N.O.W Remix)	Rock	2003
Underworld	Caliban's Dream (feat. Dockhead Choir, Dame Everlyn Glennie, Only Men Alound, Elizabeth Roberts, Esme Smith, Alex Trimble)	Electronic	2012
Underworld	Sola Sistim	Electronic	2002
Underworld	Twist	Electronic	2002
Wamdue Project	Forgiveness (feat. Jonathan Mendelsohn - Beach Angel '07 Mix)	Electronica	2007
Was (Not Was)	Papa Was A Rolling Stone	Pop	1992
Willie Nelson	What Is It You Wanted	Country	1993
Willy Porter	Cool Water	Folk	1995
Willy Porter	Jesus on the Grille	Folk	1995
Wyclef Jean	911 (ft. Mary J. Blige - LP Version)	Pop	2000
X-Press 2	Lazy (Original)	Dance	2002
Yello	Friday Smile	Electronic	2009
Yello	Get On	Electronic	1999
Yello	Indigo Bay	Electronic	2003
Yello	Kiss In Blue (Feat. Heidi Happy)	Electronic	2009
Yello	Ocean Club	Electronic	1991
Yello	Stay (Feat. Heidi Happy)	Electronic	2009
Yello	Till Tomorrow (Feat. Till Brönner)	Electronic	2009
Yello	X-Race	Electronic	2009
Zero 7	Destiny	Electronica	2001
Zero 7	Give It Away	Electronica	2001
Zero 7	In The Waiting Line	Electronica	2001